Hasretinden Prangalar Eskittim kitab\u0131yla Ahmed Arifin \u015fiiri de g\u00fcn \u0131\u015f\u0131\u00ad\u011f\u0131na \u00e7\u0131kt\u0131. B\u00f6ylece Ahmed Arifin T\u00fcrk \u015fiirinde zaten \u00f6teden beri sa\u011flam\u0131\u015f bulundu\u011fu yer, okurun g\u00f6z\u00fcnde de matematik bir kesinlik kazand\u0131. San\u0131r\u0131m, bu yer, bundan sonra en az tart\u0131\u015f\u0131l\u0131r yerlerden biri olarak kala\u00ad cakt\u0131r. \u015eu ya\u015fad\u0131\u011f\u0131m\u0131z g\u00fcnler s\u0131k\u0131nt\u0131l\u0131, karma\u015fal\u0131 g\u00fcnler. \u00c7ok hareketli g\u00fcnler. Ama bu arada fikir ve sanat hayat\u0131m\u0131zda yerle\u015fik de\u011ferler ile ye\u00ad ni de\u011ferler aras\u0131nda, yerle\u015fik de\u011ferlerin kendi i\u00e7inde, yeni bir trafik do\u011f\u00ad mu\u015f bulunuyor. \u015eimdiye dek \u015fu y\u00f6nden bak\u0131lm\u0131\u015f de\u011ferlere \u015fimdi bir de bu y\u00f6nden bak\u0131lmakta, dayan\u0131ks\u0131z de\u011ferler ufalanmakta, silinmekte, \u00e7ok \u015feyin hesab\u0131 g\u00f6r\u00fclmektedir. Ayr\u0131ca sa\u011flam de\u011ferler yerlerini bulmaktad\u0131r ya da bulmalar\u0131 i\u00e7in pek bir \u015fey kalmamaktad\u0131r. Bunun i\u00e7in, iyidir diyo\u00ad rum, bu sars\u0131nt\u0131, bu karma\u015fa. Daha \u00f6nce \u015fairler aras\u0131 bir \u201cpazar\u0131\u201d olan Ahmed Arif de bu arada bu durumdan f\u0131rlay\u0131p okura uzanmak olana\u011f\u0131\u00adn\u0131 buldu ya da gere\u011fini duydu.
Ahmed Arif Diyarbak\u0131rl\u0131. \u0130lk \u015fiirleri 1948-51 y\u0131llar\u0131 aras\u0131nda bir-iki dergide g\u00f6r\u00fcnd\u00fc. O g\u00fcnlerde kendisi Ankara Dil ve Tarih Co\u011frafya Fak\u00fcltesi\u2019nde, Felsefe b\u00f6l\u00fcm\u00fcnde \u00f6\u011frenciydi. Sonra tutukland\u0131. \u0130lk \u015fiirle\u00adrini ortaya \u00e7\u0131kard\u0131\u011f\u0131 s\u0131ralarda Orhan Veli ve arkada\u015flar\u0131 \u015fiire iyice h\u00e2kim g\u00f6r\u00fcn\u00fcyorlard\u0131. Garip d\u00f6nemi bitmi\u015f, Sabahattin Eyubo\u011flu\u2019nun deyi\u00admiyle \u201chalk olarak sanat\u201d\u0131n dolaylar\u0131nda dola\u015f\u0131lmaya ba\u015flam\u0131\u015ft\u0131. B\u00fct\u00fcn gen\u00e7ler, b\u00fct\u00fcn yeni yetmeler Orhan Veli\u2019ye, Oktay R\u0131fat\u2019a, Melih Cev\u00addet Anday\u2019a \u00f6yk\u00fcn\u00fcyordu. Sanki \u015fiir yaln\u0131z onlar\u0131n yazd\u0131\u011f\u0131yd\u0131; onlar\u0131n yazd\u0131\u011f\u0131ndan ba\u015fka \u015fiir olamazd\u0131 sanki. Gen\u00e7lerin bu bilin\u00e7siz tutumu \u015fi\u00adirimize zararl\u0131 olmu\u015ftur. Ama gen\u00e7 sanat\u00e7\u0131lar\u0131n \u00e7o\u011fu b\u00f6yle olmakla bir\u00ad likte, aralar\u0131nda kendi \u00e7\u0131k\u0131\u015f noktalar\u0131n\u0131 geli\u015ftirmeye \u00e7al\u0131\u015fan, Orhan Veli ve arkada\u015flar\u0131na pek kulak asmayan kimseler de yok de\u011fildi. Ahmed Arifi de bunlardan biri olarak g\u00f6r\u00fcyoruz. \u0130lk \u015fiirinde bile, Gariple ge\u00adlen \u015fiirin i\u00e7eri\u011fine ald\u0131rmam\u0131\u015ft\u0131r. \u00d6nerilmekte olan ve bir \u00e7e\u015fit \u015fiirsiz \u015fi\u00adir diyebilece\u011fimiz hareketi umursamadan kendi do\u011frultusunda \u00e7al\u0131\u015fan birka\u00e7 \u015fairden biri de odur.<\/p>\n\n\n\n
Ahmed Arifin \u015fiiri bir bak\u0131ma N\u00e2z\u0131m Hikmet \u00e7izgisinde, daha do\u011f\u00adrusu N\u00e2z\u0131m Hikmet\u2019in de bulundu\u011fu \u00e7izgide geli\u015fmi\u015ftir. Ama iki \u015fair aras\u0131nda b\u00fcy\u00fck ayr\u0131l\u0131klar var. N\u00e2z\u0131m Hikmet, \u015fehirlerin \u015fairidir. Ovadan seslenir insanlara, b\u00fcy\u00fck d\u00fczl\u00fcklerden. Ovada akan \u201cb\u00fcy\u00fck ve bereketli bir \u0131rmak\u201d gibidir. Uygard\u0131r. Ahmed Arif ise da\u011flar\u0131 s\u00f6yl\u00fcyor. Uyrukluk tan\u0131mayan, ya\u015fs\u0131z da\u011flar\u0131 \u201c\u00e2si\u201d da\u011flar\u0131. Uzun ve tek bir a\u011f\u0131t gibidir onun \u015fiiri. \u201cDaha deniz g\u00f6rmemi\u015f\u201d \u00e7ocuklara adanm\u0131\u015ft\u0131r. Kurdun ku\u015fun ara\u00ads\u0131nda, yaban \u00e7i\u00e7ekleri aras\u0131nda s\u00f6ylenmi\u015ftir, bir han\u00e7er kabzas\u0131na i\u015flen\u00admi\u015ftir. Ama o a\u011f\u0131tta, bir yerde, birdenbire bir zafer \u015fark\u0131s\u0131na d\u00f6n\u00fc\u015fecek\u00admi\u015f gibi bir umut (bir sanr\u0131, daha do\u011frusu bir h\u0131rs), keskin bir par\u0131lt\u0131 var\u00add\u0131r. T\u00fcrk\u00fc s\u00f6yleyerek \u00e7arp\u0131\u015fan, yaral\u0131yken de, arkada\u015flar\u0131 i\u00e7in tarih \u00f6zeti \u00e7\u0131karan, buna felsefe ve inan\u00e7 katmay\u0131 ihmal etmeyen bir gerillan\u0131n \u015fiiri\u00addir. Kar\u015f\u0131 koymaktan \u00e7ok, boyun e\u011fmeyen bir do\u011fa i\u00e7inde. B\u00fcy\u00fck zen\u00adginli\u011fi ilkel bir katk\u0131s\u0131zl\u0131k olan at\u0131c\u0131, avc\u0131 bir do\u011fa i\u00e7inde.<\/p>\n\n\n\n
1959-62 y\u0131llan aras\u0131nda Ankara\u2019dayd\u0131m, Muzaffer Erdost tan\u0131\u015ft\u0131r\u00adm\u0131\u015ft\u0131 bizi. Hemen dost olmu\u015ftuk. O s\u0131ra, Muzaffer Erdost, Ulus gazete\u00adsinin bas\u0131mevi m\u00fcd\u00fcr\u00fcyd\u00fc. Ahmed Arif de Medeniyet gazetesinde \u00e7al\u0131\u015f\u0131\u00adyordu. Haftan\u0131n \u00fc\u00e7-d\u00f6rt g\u00fcn\u00fc beraberdik. Daha do\u011frusu \u00fc\u00e7-d\u00f6rt gece\u00adsi. Ben, geceye do\u011fru, saat 11-12 s\u0131ralar\u0131nda Ulus gazetesine giderdim. O ara, kendi gazetesini erkenden ba\u011flam\u0131\u015f bulunan Ahmed Arif de oraya gelmi\u015f olurdu. Muzaffer\u2019in odas\u0131nda oturur, sabaha kadar konu\u015furduk. Nelerden konu\u015furduk? Her \u015feyden. Sabahleyin, y\u00fcr\u00fcye y\u00fcr\u00fcye K\u0131z\u0131lay\u2019a kadar gidilir, orada ayr\u0131l\u0131n\u0131rd\u0131. Yaz, k\u0131\u015f, hep b\u00f6yle. Bu s\u0131k\u0131 ili\u015fki birbiri\u00admizi iyice tan\u0131mam\u0131za yard\u0131m etti. Her \u015fairin konu\u015fma tarz\u0131yla (hatta y\u00fcz\u00fcyle) \u015fiiri aras\u0131nda bir yak\u0131nl\u0131k, bir benzerlik vard\u0131r muhakkak; ama konu\u015fmas\u0131yla \u015fiiri aras\u0131nda bu kadar bir \u00f6zde\u015flik bulunan bir \u015faire ilk kez Ahmed Arifte rastl\u0131yordum. Onun \u015fiiri, konu\u015fmas\u0131ndan al\u0131nm\u0131\u015f her\u00ad hangi bir par\u00e7a gibidir; konu\u015fmas\u0131 ise, \u015fiirin her y\u00f6ne do\u011fru bir devam\u0131 gibi. Bir bak\u0131ma \u201coral\u201d (a\u011fza ili\u015fkin) bir \u015fiirdir onunki. Bizde oral \u015fiirin tuhaf bir kaderi vard\u0131r: Bu \u015fiirde, genellikle, ya kuru bir s\u00f6ylevcili\u011fe d\u00fc\u015f\u00fcl\u00fcr, ya da harc\u0131\u00e2lem duygular\u0131n tekd\u00fcze evrenine. Daha do\u011frusu, ne\u00ad dense \u015fimdiye kadar genellikle b\u00f6yle olmu\u015ftur. Bu, s\u00f6z\u00fcn yak\u0131\u015f\u0131\u011f\u0131 u\u011fru\u00ad na, \u015fiirin elden \u00e7\u0131kar\u0131lmas\u0131, harcanmas\u0131d\u0131r. Ahmed Arifin \u015fiirinde b\u00f6yle bir sak\u0131nca yok. Hi\u00e7bir zaman s\u00f6yleve d\u00fc\u015fmez. Bir duygu sa\u011fna\u011f\u0131, imge\u00adler halinde, s\u0131ra s\u0131ra m\u0131sralar kurar. Ana d\u00fc\u015f\u00fcnce, dipte, her zaman belir\u00adli, ama sakin durur; \u00e7o\u011fal\u0131r, b\u00fcy\u00fcr belki, ama kal\u0131n bir damar halinde hep dipte durur. Ahmed Arif, kendi \u015fiirine en uygun yap\u0131y\u0131 ve m\u0131sra d\u00fc\u00adzenini bulmu\u015f bir \u015fairdir. Anlat\u0131m\u0131yla, \u015fiirin \u00f6z\u00fc aras\u0131nda \u00f6zde\u015flik vard\u0131r. T\u00fcrk\u00e7e destan t\u00fcr\u00fcn\u00fcn en ilgin\u00e7 deneylerini yapm\u0131\u015ft\u0131r. En ilgin\u00e7 \u00e7\u0131k\u0131\u015f\u0131\u00adn\u0131 desek daha yerinde olacak. Bir yal\u00e7\u0131nl\u0131\u011f\u0131 koyuyor \u015fiirine Ahmed Arif, bir graniti. O yal\u00e7\u0131nl\u0131ktan, birden, s\u0131n\u0131r k\u00f6ylerine iniyor; \u201ctavuklar\u0131 bir\u00adbirine kar\u0131\u015fan\u201d insanlar\u0131 anlat\u0131yor. Bu birdenbirelik onu kekre diyebile\u00adce\u011fimiz bir lirizme ula\u015ft\u0131r\u0131yor. Ya da tersi oluyor. Eksiksiz bir silah kolek\u00adsiyonunun aras\u0131ndan g\u00f6r\u00fc\u015fmecisinin yollad\u0131\u011f\u0131 taze so\u011fan demetini g\u00f6r\u00fc\u00adyorsunuz. Ahmed Arif, Do\u011fu Anadolu\u2019nun, s\u0131n\u0131r boylar\u0131n\u0131n yersel g\u00f6\u00adr\u00fcnt\u00fcleri i\u00e7inde oralar\u0131n t\u00fcrk\u00fclerini kalk\u0131nd\u0131r\u0131yor, b\u00fct\u00fcn Anadolu t\u00fcr\u00adk\u00fclerine ula\u015ft\u0131r\u0131yor onlar\u0131, b\u00fcy\u00fct\u00fcyor, besliyor; ama bo\u011fulmuyor onlar\u0131n aras\u0131nda. Do\u011fu Anadolu insan\u0131n\u0131n m\u00fcthi\u015f malzemesini korkusuz bir li\u00adrizm i\u00e7inde \u00f6n\u00fcm\u00fcze y\u0131\u011f\u0131yor. Sonra b\u00fct\u00fcn Anadolu insan\u0131na do\u011fru ya\u00ady\u0131yor onu. Pir Sultan Abdal\u2019\u0131, Urfal\u0131 Nazif\u2019i, K\u00f6ro\u011flu\u2019na, Bedrettin\u2019e g\u00f6\u00adt\u00fcr\u00fcyor. B\u00fcy\u00fck bir sevgiye, bir umuda \u00e7a\u011f\u0131r\u0131yor Anadolu insan\u0131n\u0131; g\u00f6z\u00adlerinden \u00f6perek, \u00e7\u0131ld\u0131ras\u0131ya severek. Evet, halk t\u00fcrk\u00fclerinden yararlan\u0131\u00adyor Ahmed Arif. Yaln\u0131z, halk kayna\u011f\u0131n\u0131n, edebiyat i\u00e7in, \u015fiir i\u00e7in, t\u00fcrk\u00fc\u00adlerden \u00f6te daha bir s\u00fcr\u00fc olanak ta\u015f\u0131d\u0131\u011f\u0131n\u0131, hatta \u00f6b\u00fcr halk kaynaklar\u0131 i\u00e7inde t\u00fcrk\u00fclerin o kadar da b\u00fcy\u00fck bir a\u011f\u0131rl\u0131k ta\u015f\u0131mad\u0131\u011f\u0131m iyi biliyor. Bu
yan\u0131yla halk kayna\u011f\u0131na e\u011fildiklerini sanan ba\u015fka \u015fairlerden ayr\u0131l\u0131yor. On\u00adlar gibi sadece t\u00fcrk\u00fclere yaslanm\u0131yor. \u00d6zellikle destan t\u00fcr\u00fc i\u00e7in vazge\u00e7il\u00admez olan tavr\u0131 ta temelden tak\u0131n\u0131yor. \u00c7al\u0131\u015fmalar\u0131n\u0131 ona g\u00f6re yap\u0131yor.<\/p>\n\n\n\n
Ahmed Arif kendi \u015fiirine en uygun yap\u0131y\u0131 ve m\u0131sra d\u00fczenini getir\u00admi\u015ftir, dedik. Bir de, Paul Eluard i\u00e7in s\u00f6ylenmi\u015f bir s\u00f6z\u00fcn onun \u015fiirine de uydu\u011funu s\u00f6yleyelim: Paul Eluard\u2019\u0131n \u015fiiri imgenin tutsa\u011f\u0131 de\u011fildir; ger\u00e7ek\u00fcst\u00fcc\u00fc d\u00f6neminde de, ondan sonraki d\u00f6nemde de, \u015fiirin temelin\u00ad de yatan ana \u00f6\u011fe, m\u0131sralar\u0131n k\u0131sal\u0131\u011f\u0131, kurulu\u015f tarz\u0131 ve bunlar\u0131 birbirleriyle ba\u011flama bi\u00e7imi sayesinde ipu\u00e7lar\u0131n\u0131 hi\u00e7bir zaman saklamam\u0131\u015ft\u0131r. Ah\u00admed Arifte de \u00f6yle, imge, \u00e7\u0131plakl\u0131\u011f\u0131n \u00e7arp\u0131c\u0131l\u0131\u011f\u0131n\u0131 ta\u015f\u0131r; d\u00fc\u015f\u00fcnce, vuru\u00adcu \u00f6zelli\u011fini ilk anda kullan\u0131r. Hasretinden Prangalar Eskittim de bunun bir\u00e7ok \u00f6rne\u011fini g\u00f6r\u00fcyoruz. Sonra imge onda s\u0131n\u0131rl\u0131 bir \u00f6\u011fe de\u011fil. Bir ba\u00adk\u0131ma \u015fiirin kendisi, b\u00fct\u00fcn\u00fc. \u00d6yle ki b\u00fct\u00fcn\u00fcyle vard\u0131r onun \u015fiiri. Keli\u00ad meler ili\u015fkin olduklar\u0131 kavramlar\u0131 a\u015fan ve daha geni\u015f durumlar\u0131 kavrayan bir nitelik g\u00f6steriyor. \u015eiirin b\u00fct\u00fcn\u00fc i\u00e7inde kullan\u0131lm\u0131\u015f baz\u0131 d\u00fcz s\u00f6zler inan\u0131lmaz bir \u00e7arp\u0131c\u0131l\u0131k, bir imge yetene\u011fi kazanmaktad\u0131r Ahmed Arif\u2019e. \u00d6te yandan, \u015fiirin i\u00e7inde birer iki\u015fer kelimelik m\u0131sralar halinde akan bu s\u00f6zler bi\u00e7im y\u00f6n\u00fcnden de \u00f6nem kazanmaktad\u0131r. \u00d6yle ki, kendili\u011fin\u00ad den do\u011fa ve yaln\u0131z Ahmed Arif\u2019e \u00f6zg\u00fc gizli bir aruz gibi bu s\u00f6zlerden b\u00fc\u00adt\u00fcn \u015fiire bir m\u00fczik yay\u0131lmakta, ya da b\u00fct\u00fcn \u015fiir \u00e7ekid\u00fczenini onlarda bulmaktad\u0131r.<\/p>\n\n\n\n
S\u00f6zgelimi, \u201cOtuz\u00fc\u00e7 Kur\u015fun\u201dda:<\/p>\n\n\n\n
Yak\u0131\u015f\u0131kl\u0131
Hafif
\u0130yi s\u00fcvari<\/p>\n\n\n\n
m\u0131sralar\u0131n\u0131n; yine ayn\u0131 \u015fiirde:<\/p>\n\n\n\n
Ve karaca s\u00fcr\u00fcs\u00fc Keklik tak\u0131m\u0131\u2026<\/p>\n\n\n\n
m\u0131sralar\u0131n\u0131n b\u00f6yle bir i\u015flevi vard\u0131r.<\/p>\n\n\n\n
Bu, Mayakovski\u2019nin ritm elde etmek i\u00e7in yapt\u0131\u011f\u0131 bi\u00e7im \u00e7al\u0131\u015fmalar\u0131\u00adn\u0131 akla getiriyorsa da, asl\u0131nda bu noktada iki \u015fairin tutumlar\u0131m birbirine kar\u0131\u015ft\u0131rmamak gerekir. Mayakovski i\u00e7in, ritm, bir yerde, her \u015feydir; \u201c\u015fi\u00adirin temel g\u00fcc\u00fcn\u00fc\u201d ritimde bulur o; bir end\u00fcstriye benzetti\u011fi \u015fiir i\u00e7in ritm manyetik g\u00fcc\u00fc ya da elektriklenmeyi temsil eder. Ahmed Arif i\u00e7in ise ritm sadece bir olanak olarak \u00f6nemlidir. Ama aralar\u0131ndaki as\u0131l ayr\u0131m \u015furda san\u0131r\u0131m: Mayakovski\u2019de ritm, bir bak\u0131ma, \u015fiirin d\u0131\u015f\u0131nda bir yerde\u00addir, anonim bir tekniktir. Bunun i\u00e7in s\u0131k s\u0131k d\u00fc\u015fey ya da yatay ses ben\u00adzerliklerine, ba\u011fda\u015f\u0131mlar\u0131na ba\u015fvurur. Daha \u00f6zetlersek: Mayakovski rit\u00admi ses\u2019te aramaktad\u0131r. Ahmed Arif ise s\u00f6z\u2019de arar. Bunun i\u00e7in onun \u015fiiri bir noktada \u201coral\u201d niteli\u011fini b\u0131rak\u0131r, \u00e7ok \u00f6telere gider. Bu yan\u0131yla \u00e7a\u011fda\u015f \u015fiirin en yeni y\u00f6nsemelerine kar\u0131\u015f\u0131r. \u00d6zellikle imge konusunda yapt\u0131\u011f\u0131 s\u0131\u00e7rama onu bug\u00fcnk\u00fc \u015fiiri haz\u0131rlayanlardan biri yapm\u0131\u015ft\u0131r. Zaten bir\u00e7ok \u015fairin onun etkisinden ge\u00e7mesi de bunu g\u00f6steriyor. Sadece bu bak\u0131mdan bile Hasretinden Prangalar Eskittim, ge\u00e7 kalm\u0131\u015f bir kitap de\u011fildir. Bir de \u015fu bak\u0131mdan ge\u00e7 kalm\u0131\u015f bir yap\u0131t de\u011fildir Hasretinden Prangalar Eskit\u00ad tim-. Ya\u015fs\u0131z bir \u015fiirdir Ahmed Arif\u2019in \u015fiiri. G\u00fcn\u00fcn de\u011fil, \u00e7a\u011f\u0131n de\u011fil, \u00e7a\u011f\u00adlar\u0131n \u201cakt\u00fcalitesi\u201dyle doludur. \u201cK\u00fcnyesi \u00e7izileli\u201d kim bilir ka\u00e7 y\u0131ld\u0131z u\u00e7\u00admu\u015ftur. Dirsek temas\u0131 i\u00e7inde bulundu\u011fu k\u00f6yl\u00fclerin, y\u00fcr\u00fcyerek gezdi\u011fi kasabalar\u0131n aras\u0131ndan tarihi kal\u0131n \u00e7izgilerle g\u00f6rmeyi sever. Tarihi ve uy\u00adgarl\u0131\u011f\u0131. Yaln\u0131z, \u201cDiyarbekir Kalesinden Notlar ve Adilo\u015f Bebenin Ninnisi\u201dnde daha g\u00fcnc\u00fcl bir tavr\u0131 var. \u201cOtuz\u00fc\u00e7 Kur\u015fun\u201dda da biraz \u00f6yle. Bir yerde tarihten \u00f6nce ya\u015fam\u0131\u015f bir ozan konu\u015fuyor san\u0131rs\u0131n\u0131z, ba\u015fka bir yer\u00ad de en gen\u00e7 ku\u015fa\u011f\u0131n bir verimi kar\u015f\u0131s\u0131nda gibisinizdir. Bu bak\u0131mdan elli y\u0131l sonra da yay\u0131mlansayd\u0131 ayn\u0131 ilgiyi g\u00f6recek, sevilecekti bence.<\/p>\n\n\n\n
Hollanda\u2019ya gitti\u011fimde orada Van Gogh\u2019un sar\u0131lar\u0131n\u0131n kayna\u011f\u0131n\u0131 bulmu\u015f ve daha \u00e7ok sevmeye ba\u015flam\u0131\u015ft\u0131m Van Gogh\u2019un resimlerindeki sar\u0131lar\u0131. \u00c7\u00fcnk\u00fc Hollanda\u2019daki co\u011frafyan\u0131n yery\u00fcz\u00fc \u015fekillerinin, bitkisel \u00f6rt\u00fcn\u00fcn sar\u0131lar\u0131 Van Gogh\u2019u i\u00e7imde somutlam\u0131\u015f ve bir yere oturtmu\u015ftu. Onun \u00e7al\u0131\u015fmas\u0131n\u0131 g\u00f6z\u00fcmde daha da b\u00fcy\u00fctm\u00fc\u015ft\u00fc. Do\u011fal verilerle yarat\u0131\u00adc\u0131 \u00e7al\u0131\u015fma aras\u0131ndaki b\u00f6yle bir ili\u015fki sanat yap\u0131t\u0131n\u0131n de\u011ferini artt\u0131r\u0131yor. Sanat yap\u0131t\u0131 ger\u00e7e\u011fin asala\u011f\u0131 olmamal\u0131d\u0131r, ama b\u00fct\u00fcn b\u00fct\u00fcne de ondan kopmamal\u0131d\u0131r, ondan kopmay\u0131\u015f\u0131n kan\u0131tlar\u0131m ta\u015f\u0131mal\u0131d\u0131r.<\/p>\n\n\n\n
Ayn\u0131 \u015fekilde, Erzurum topra\u011f\u0131m g\u00f6rd\u00fckten, Do\u011fu Anadolu\u2019daki yery\u00fcz\u00fc \u015fekillerini, iyice dola\u015f\u0131p i\u00e7ime sindirdikten sonra, \u00c2\u015f\u0131k Veysel\u2019in sesine daha \u00e7ok tutuldum. Van Gogh\u2019un sar\u0131lar\u0131 Hollanda topra\u011f\u0131n\u0131n bask\u0131n renklerini ta\u015f\u0131yor, bir yerde onlara katk\u0131da bulunuyordu, onlar\u0131n aras\u0131nda a\u00e7\u0131lm\u0131\u015f \u00e7\u0131lg\u0131n, sanr\u0131l\u0131 \u00e7i\u00e7ekler gibiydi. A\u015f\u0131k Veysel\u2019in sesinde de Do\u011fu Anadolu topra\u011f\u0131n\u0131n rengi, k\u0131vam\u0131, ta\u015f\u0131l niteli\u011fi, k\u00f6y evlerinin i\u00e7in\u00ad den ge\u00e7en arklar, y\u00fcz\u00fckoyun yatarak su i\u00e7en delikanl\u0131lar, gen\u00e7 k\u0131zlar var\u00add\u0131. Ahmed Arifin \u015fiirinde de, \u015fiirini yaparken kulland\u0131\u011f\u0131 ara\u00e7lar da, an\u00adlatt\u0131\u011f\u0131 yerlerin, yap\u0131t\u0131na koydu\u011fu hayat\u0131n \u00e7ok tutarl\u0131 bir bile\u015fkesini g\u00f6r\u00fc\u00ad yorum. \u00d6zellikle destan t\u00fcr\u00fcnde bunun nice \u00f6nemli oldu\u011funu anl\u0131yo\u00adrum Ahmed Arifi okurken.<\/p>\n\n\n\n
Cesareti s\u00f6yl\u00fcyor Ahmed Arif. Yi\u011fitli\u011fi.<\/p>\n\n\n\n
Bir p\u0131nar gibi, bir yeralt\u0131 suyu gibi, bir tipi gibi.<\/p>\n\n\n\n
Dostuna yaras\u0131n\u0131 g\u00f6sterir gibi.<\/p>\n\n\n\n
Y\u00fccelerde y\u0131llanm\u0131\u015f katar katar kar\u0131n i\u00e7inde y\u00fcr\u00fcyor yalnayak ve ayaklar\u0131 yanarak.<\/p>\n\n\n\n
<\/p>\n\n\n\n
Cemal S\u00fcreya, \u015eapkam Dolu \u00c7i\u00e7ekle, YKY (Al\u0131nt\u0131d\u0131r.)<\/p>\n","protected":false},"excerpt":{"rendered":"
Hasretinden Prangalar Eskittim kitab\u0131yla Ahmed Arifin \u015fiiri de g\u00fcn \u0131\u015f\u0131\u00ad\u011f\u0131na \u00e7\u0131kt\u0131. B\u00f6ylece Ahmed Arifin T\u00fcrk \u015fiirinde zaten \u00f6teden beri sa\u011flam\u0131\u015f bulundu\u011fu yer, okurun g\u00f6z\u00fcnde de matematik bir kesinlik kazand\u0131. San\u0131r\u0131m, bu yer, bundan sonra en az tart\u0131\u015f\u0131l\u0131r yerlerden biri olarak kala\u00ad cakt\u0131r. \u015eu ya\u015fad\u0131\u011f\u0131m\u0131z g\u00fcnler s\u0131k\u0131nt\u0131l\u0131, karma\u015fal\u0131 g\u00fcnler. \u00c7ok hareketli g\u00fcnler. Ama bu arada fikir …<\/p>\n<\/div>","protected":false},"author":7,"featured_media":9892,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":"","_members_access_role":[],"_members_access_error":""},"categories":[88],"tags":[],"class_list":["post-9816","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yazi"],"rttpg_featured_image_url":{"full":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs.png",1563,1250,false],"landscape":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs.png",1563,1250,false],"portraits":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs.png",1563,1250,false],"thumbnail":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs-150x120.png",150,120,true],"medium":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs-300x240.png",300,240,true],"large":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs-1024x819.png",1024,819,true],"1536x1536":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs-1536x1228.png",1536,1228,true],"2048x2048":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs.png",1563,1250,false],"codate_slider":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs-1563x1000.png",1563,1000,true],"codate_item":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs-550x350.png",550,350,true],"codate_item_vetical":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs-500x800.png",500,800,true],"codate_item_masonry":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs-550x440.png",550,440,true],"codate_blog":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs-417x340.png",417,340,true],"codate_single":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs-852x500.png",852,500,true],"codate_tabs":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/09\/cs-90x90.png",90,90,true]},"rttpg_author":{"display_name":"editorYasin","author_link":"https:\/\/yazinulkesi.com.tr\/author\/editoryasin"},"rttpg_comment":0,"rttpg_category":"Yaz\u0131<\/a>","rttpg_excerpt":"Hasretinden Prangalar Eskittim kitab\u0131yla Ahmed Arifin \u015fiiri de g\u00fcn \u0131\u015f\u0131\u00ad\u011f\u0131na \u00e7\u0131kt\u0131. B\u00f6ylece Ahmed Arifin T\u00fcrk \u015fiirinde zaten \u00f6teden beri sa\u011flam\u0131\u015f bulundu\u011fu yer, okurun g\u00f6z\u00fcnde de matematik bir kesinlik kazand\u0131. San\u0131r\u0131m, bu yer, bundan sonra en az tart\u0131\u015f\u0131l\u0131r yerlerden biri olarak kala\u00ad cakt\u0131r. \u015eu ya\u015fad\u0131\u011f\u0131m\u0131z g\u00fcnler s\u0131k\u0131nt\u0131l\u0131, karma\u015fal\u0131 g\u00fcnler. \u00c7ok hareketli g\u00fcnler. Ama bu arada fikir…","_links":{"self":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/9816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9816"}],"version-history":[{"count":2,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/9816\/revisions"}],"predecessor-version":[{"id":9821,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/9816\/revisions\/9821"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/media\/9892"}],"wp:attachment":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}