Bu manifesto-\u015fiir 1882’de yay\u0131nland\u0131ktan sonra sembolizmin bir manfiestosu kabul edilir. \u0130lk dizesi “M\u00fcsiki, her \u015feyden \u00f6nce musiki”, Verlain’in 19. y\u00fczy\u0131l \u015fiir kuram\u0131na yapt\u0131\u011f\u0131 belli ba\u015fl\u0131 katk\u0131 say\u0131lm\u0131\u015ft\u0131r. \u015eiiri m\u00fczikle ili\u015fkilendirmesinde Shakespear ve Poe’dan etkilenmi\u015ftir.<\/p>\n\n
\u00a0<\/p>\n\n
Musiki, her \u015feyden \u00f6nce musiki;<\/p>\n
Onun i\u00e7in tekli m\u0131sradan \u015fa\u015fma.<\/p>\n\n
K\u0131vrak olur, erir havada sanki;<\/p>\n\n
A\u011f\u0131r aksak s\u00f6yleyi\u015fe yana\u015fma.<\/p>\n\n
\u00a0<\/p>\n\n
Kelime se\u00e7erken de meydan senin;<\/p>\n\n
Bile bile bir nebze aldanmal\u0131.<\/p>\n\n
Dumanl\u0131s\u0131 g\u00fczeldir t\u00fcrk\u00fclerin;<\/p>\n\n
\u00d6yle hem se\u00e7ik olsun, hem kapal\u0131.<\/p>\n\n
\u00a0<\/p>\n\n
G\u00fczel g\u00f6zler t\u00fcl ard\u0131nda g\u00f6r\u00fcns\u00fcn<\/p>\n\n
G\u00fcn \u0131\u015f\u0131\u011f\u0131 titremeli \u015fiirinde<\/p>\n\n
Ak y\u0131ld\u0131zlar mavili\u011fe b\u00fcr\u00fcns\u00fcn<\/p>\n\n
Ilg\u0131t \u0131lg\u0131t sonbahar g\u00f6klerinde.<\/p>\n\n
\u00a0<\/p>\n\n
Ararengin pe\u015findeyiz \u00e7\u00fcnk\u00fc biz;<\/p>\n\n
Rengin de\u011fil, ararengin sadece.<\/p>\n\n
Ancak \u00f6yle sarma\u015f dola\u015f ederiz.<\/p>\n\n
Kaval\u0131 boruyla r\u00fcyay\u0131 d\u00fc\u015fle.<\/p>\n\n
\u00a0<\/p>\n\n
N\u00fckte bel\u00e2s\u0131ndan kurtulmaya bak;<\/p>\n\n
Ac\u0131 zek\u00e2, sulu g\u00fcl\u00fc\u015f neyine?<\/p>\n\n
\u0130\u015fe kar\u0131\u015ft\u0131 m\u0131 bu cins sarm\u0131sak<\/p>\n\n
Mavili\u011fin ya\u015f dolar g\u00f6zlerine.<\/p>\n\n
\u00a0<\/p>\n\n
Tut bel\u00e2gati bo\u011faz\u0131ndan, sustur<\/p>\n\n
El de\u011fmi\u015fken bir zahmete daha gir.<\/p>\n\n
Kafiyenin a\u011fz\u0131na da bir gem vur<\/p>\n\n
B\u0131rak\u0131rsan neler yapmaz kim bilir?<\/p>\n\n
\u00a0<\/p>\n\n
Nedir bu kafiyeden \u00e7ekti\u011fimiz!<\/p>\n\n
Hangi sa\u011f\u0131r \u00e7ocuk ya deli zenci<\/p>\n\n
Sarm\u0131\u015f ba\u015f\u0131m\u0131za bu meymenetsiz,<\/p>\n\n
Bu kof sesler \u00e7\u0131karan kalp inciyi?<\/p>\n\n
\u00a0<\/p>\n\n
Hep musiki, biraz daha musiki;<\/p>\n\n
Havalanan bir \u015fey olmal\u0131 m\u0131sra<\/p>\n\n
Deli bir g\u00f6n\u00fclden kalk\u0131p gitmeli<\/p>\n\n
Ba\u015fka g\u00f6klere, ba\u015fka sevdalara.<\/p>\n\n
\u00a0<\/p>\n\n
Da\u011f\u0131l\u0131p tuzu sabah r\u00fczg\u00e2r\u0131na<\/p>\n\n
M\u0131sralar\u0131n als\u0131n ba\u015f\u0131n\u0131 gitsin<\/p>\n\n
Kekik, nane kokaraktan, d\u00f6rt yana…<\/p>\n\n
\u00dcst taraf\u0131 edebiyat bu i\u015fin.<\/p>\n\n
\u00a0<\/p>\n\n
\u00c7evirenler: Melih Cevdet Anday-Sabahattin Ey\u00fcbo\u011flu<\/p>\n\n
Sanat Manifestolar\u0131: Avangard Sanat ve Direni\u015f<\/em>, Derleyen ve Sunan: Ali Artun, \u0130leti\u015fim Yay\u0131nlar\u0131 (Al\u0131nt\u0131d\u0131r.)<\/p>\n\n \u00a0<\/p>\n","protected":false},"excerpt":{"rendered":" Bu manifesto-\u015fiir 1882’de yay\u0131nland\u0131ktan sonra sembolizmin bir manfiestosu kabul edilir. \u0130lk dizesi “M\u00fcsiki, her \u015feyden \u00f6nce musiki”, Verlain’in 19. y\u00fczy\u0131l \u015fiir kuram\u0131na yapt\u0131\u011f\u0131 belli ba\u015fl\u0131 katk\u0131 say\u0131lm\u0131\u015ft\u0131r. \u015eiiri m\u00fczikle ili\u015fkilendirmesinde Shakespear ve Poe’dan etkilenmi\u015ftir. \u00a0 Musiki, her \u015feyden \u00f6nce musiki; Onun i\u00e7in tekli m\u0131sradan \u015fa\u015fma. K\u0131vrak olur, erir havada sanki; A\u011f\u0131r aksak s\u00f6yleyi\u015fe yana\u015fma. \u00a0 …<\/p>\n<\/div>","protected":false},"author":8,"featured_media":7909,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[94],"tags":[111,108,107,109],"class_list":["post-7864","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ceviri","tag-avangard","tag-manifesto","tag-paul-verlaine","tag-siir"],"rttpg_featured_image_url":{"full":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine.png",1563,1250,false],"landscape":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine.png",1563,1250,false],"portraits":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine.png",1563,1250,false],"thumbnail":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine-150x120.png",150,120,true],"medium":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine-300x240.png",300,240,true],"large":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine-1024x819.png",1024,819,true],"1536x1536":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine-1536x1228.png",1536,1228,true],"2048x2048":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine.png",1563,1250,false],"codate_slider":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine-1563x1000.png",1563,1000,true],"codate_item":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine-550x350.png",550,350,true],"codate_item_vetical":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine-500x800.png",500,800,true],"codate_item_masonry":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine-550x440.png",550,440,true],"codate_blog":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine-417x340.png",417,340,true],"codate_single":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine-852x500.png",852,500,true],"codate_tabs":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/Paul-Verlaine-90x90.png",90,90,true]},"rttpg_author":{"display_name":"Burak \u00c7elik","author_link":"https:\/\/yazinulkesi.com.tr\/author\/editorburak"},"rttpg_comment":0,"rttpg_category":"\u00c7eviri<\/a>","rttpg_excerpt":"Bu manifesto-\u015fiir 1882’de yay\u0131nland\u0131ktan sonra sembolizmin bir manfiestosu kabul edilir. \u0130lk dizesi “M\u00fcsiki, her \u015feyden \u00f6nce musiki”, Verlain’in 19. y\u00fczy\u0131l \u015fiir kuram\u0131na yapt\u0131\u011f\u0131 belli ba\u015fl\u0131 katk\u0131 say\u0131lm\u0131\u015ft\u0131r. \u015eiiri m\u00fczikle ili\u015fkilendirmesinde Shakespear ve Poe’dan etkilenmi\u015ftir. \u00a0 Musiki, her \u015feyden \u00f6nce musiki; Onun i\u00e7in tekli m\u0131sradan \u015fa\u015fma. K\u0131vrak olur, erir havada sanki; A\u011f\u0131r aksak s\u00f6yleyi\u015fe yana\u015fma. \u00a0…","_links":{"self":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7864"}],"version-history":[{"count":6,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7864\/revisions"}],"predecessor-version":[{"id":7873,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/7864\/revisions\/7873"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/media\/7909"}],"wp:attachment":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}