T\u00fcrk \u015fiirinde ve roman\u0131nda \u201cb\u00fcy\u00fck anlat\u0131lar\u0131n\u201d zay\u0131flad\u0131\u011f\u0131 s\u00f6yleniyor. Sizce ger\u00e7ekten b\u00fcy\u00fck ideallerin, b\u00fcy\u00fck hik\u00e2yelerin \u00e7a\u011f\u0131 kapand\u0131 m\u0131, yoksa biz anlatma cesaretini mi kaybettik?<\/p>\n\n\n\n
B\u00fcy\u00fck anlat\u0131, insan\u0131 a\u015fan bir iddiaya yaslanan, ferd\u00ee tecr\u00fcbeyi daha geni\u015f bir daireye ba\u011flayan metindir. Bir d\u00fcnya tasavvuru sunar. Buradaki d\u00fcnya tasavvurunun hakikatli\u011finden bahsetmiyorum. Yazar\u0131n eserini kaleme al\u0131rken \u00fczerinde durdu\u011fu yeri kastediyorum.<\/p>\n\n\n\n
Bu bak\u0131mdan b\u00fcy\u00fck anlat\u0131 ayn\u0131 zamanda bir in\u015fa faaliyetidir. Bu in\u015fa, yazar\u0131n ya\u015fam\u0131ndan ba\u015flar. Yazar hen\u00fcz yazmaya ba\u015flamadan o b\u00fcy\u00fck anlat\u0131s\u0131n\u0131 yazmaya ba\u015flam\u0131\u015ft\u0131r asl\u0131nda. Belki de hayat\u0131n\u0131 o b\u00fcy\u00fck anlat\u0131ya haz\u0131rlamaktad\u0131r. Evinize misafir edece\u011finiz \u00f6nem verdi\u011finiz biriyse evinizin temizli\u011fini, ikram\u0131n\u0131z\u0131n bollu\u011funu da ona g\u00f6re ayarlars\u0131n\u0131z nihayetinde.<\/p>\n\n\n\n
Ve t\u00fcm bunlar\u0131n yan\u0131nda \u201cb\u00fcy\u00fck anlat\u0131\u201d do\u011faca\u011f\u0131 dima\u011f\u0131 se\u00e7me hakk\u0131na sahiptir san\u0131yorum. B\u00f6yle de\u011ferli bir misafir alelade bir eve gitmeyecektir. Kendisini bekleyenlere, davet g\u00f6nderenlere y\u00f6nelecektir.<\/p>\n\n\n\n
\u00d6rne\u011fin modern T\u00fcrk edebiyat\u0131na bakt\u0131\u011f\u0131m\u0131zda bu iddiay\u0131 ta\u015f\u0131yan metinlerin varl\u0131\u011f\u0131n\u0131 ink\u00e2r edemeyiz. Ahmet Hamdi Tanp\u0131nar, yaln\u0131zca bireyin i\u00e7 d\u00fcnyas\u0131n\u0131 de\u011fil, medeniyet krizini de anlatm\u0131\u015ft\u0131r. Bu krizi bizzat ya\u015fam\u0131\u015f ve bunun sanc\u0131s\u0131n\u0131 \u00e7ekmi\u015ftir. Sezai Karako\u00e7\u2019un \u015fiiri, bir dirili\u015f idealinin estetik tezah\u00fcr\u00fcd\u00fcr. Sezai Karako\u00e7 hayat\u0131n\u0131 bu ideal \u00fczerine ge\u00e7irmi\u015ftir. Onu tan\u0131yan, bir \u015fekilde kendisiyle g\u00f6r\u00fc\u015fen veya kitaplar\u0131n\u0131 okuyan herkesin \u015fahitli\u011fi bu y\u00f6ndedir. Kemal Tahir, romanlar\u0131nda tarihsel bir hesapla\u015fma y\u00fcr\u00fctm\u00fc\u015ft\u00fcr. O\u011fuz Atay bireyin par\u00e7alanm\u0131\u015fl\u0131\u011f\u0131n\u0131 anlat\u0131rken bile arka planda b\u00fct\u00fcnc\u00fcl bir anlam aray\u0131\u015f\u0131n\u0131 diri tutmu\u015f, anlam aray\u0131\u015f\u0131ndan yoksun olanlar\u0131 ele\u015ftirmi\u015ftir. Bu isimlerin ortak paydas\u0131 yaln\u0131zca teknik yetenekleri de\u011fil, yazd\u0131klar\u0131n\u0131 hayatlar\u0131n\u0131n i\u00e7inden \u00e7\u0131kar\u0131p sunmu\u015f olmalar\u0131d\u0131r.<\/p>\n\n\n\n
Bug\u00fcn daha par\u00e7al\u0131, daha mikro anlat\u0131larla kar\u015f\u0131 kar\u015f\u0131yay\u0131z. Bireyin g\u00fcndelik k\u0131r\u0131lmalar\u0131, ki\u015fisel travmalar\u0131, k\u00fc\u00e7\u00fck hayat kesitleri \u00f6n planda. Bunun bir zaaf m\u0131 yoksa \u00e7a\u011f\u0131n zorunlu y\u00f6nelimi mi oldu\u011fu tart\u0131\u015fmal\u0131d\u0131r elbette. Bu anlamda postmodern d\u00fc\u015f\u00fcnce, b\u00fcy\u00fck ideallerin olumsuz sonu\u00e7lar do\u011furabilece\u011fini s\u00f6yleyerek \u201cb\u00fcy\u00fck anlat\u0131\u201d fikrine mesafe koydu. Bu fikr\u00ee atmosfer ister istemez edebiyat\u0131 da etkiledi. Art\u0131k b\u00fcy\u00fck iddialar\u0131n yerine \u00e7o\u011ful sesler tercih ediliyor.<\/p>\n\n\n\n
\u0130nsanl\u0131k tarihine bakt\u0131\u011f\u0131m\u0131zda, kriz d\u00f6nemlerinin ayn\u0131 zamanda g\u00fc\u00e7l\u00fc anlat\u0131lar\u0131n do\u011fdu\u011fu d\u00f6nemler oldu\u011funu g\u00f6r\u00fcr\u00fcz. Fyodor Dostoyevski, siyasal \u00e7alkant\u0131lar\u0131n ve ki\u015fisel felaketlerin i\u00e7inden insan ruhuna dair devasa bir sorgulama \u00e7\u0131karm\u0131\u015ft\u0131r. George Orwell, totaliter \u00e7a\u011f\u0131n karanl\u0131\u011f\u0131n\u0131 anlat\u0131rken b\u00fcy\u00fck bir \u00f6zg\u00fcrl\u00fck idealine yaslanm\u0131\u015ft\u0131r. Bu metinler, b\u00fcy\u00fck anlat\u0131lar\u0131n ancak b\u00fcy\u00fck tarihsel ve ahlaki gerilimlerden do\u011fdu\u011funu g\u00f6sterir.<\/p>\n\n\n\n
Belki de mesele ideallerin bitmesi de\u011fil, o idealleri ta\u015f\u0131yacak hayatlar\u0131n ortaya \u00e7\u0131kmamas\u0131d\u0131r. B\u00fcy\u00fck anlat\u0131, b\u00fcy\u00fck bir ahlaki ciddiyet ister. Yazmak; zamandan, konfordan, hatta kimi zaman g\u00f6r\u00fcn\u00fcr olmaktan vazge\u00e7meyi gerektirir. Yazarken in\u015fa etti\u011finiz \u015feyi ya\u015farsan\u0131z b\u00fcy\u00fck anlat\u0131ya do\u011fru ad\u0131m atm\u0131\u015fs\u0131n\u0131z demektir. G\u00fcn\u00fcm\u00fczde b\u00fcy\u00fck bir d\u00fcnya tasavvuru kurmak i\u00e7in gereken zemin daral\u0131yor. Bunu a\u00e7\u0131k\u00e7a g\u00f6rebiliyoruz.<\/p>\n\n\n\n
B\u00fcy\u00fck anlat\u0131, insan\u0131n kendi i\u00e7ine do\u011fru uzun bir y\u00fcr\u00fcy\u00fc\u015f\u00fc gerektirir. Bunu es ge\u00e7meden konu\u015fmak gerekiyor.
Dolay\u0131s\u0131yla ben, b\u00fcy\u00fck hik\u00e2yelerin \u00e7a\u011f\u0131n\u0131n kapand\u0131\u011f\u0131 kanaatinde de\u011filim. \u0130nsan var olduk\u00e7a adalet, hakikat, kimlik, aidiyet gibi b\u00fcy\u00fck meseleler var olmaya devam edecektir.
As\u0131l mesele bu b\u00fcy\u00fck anlat\u0131y\u0131 kim, ne zaman \u00fcretecek? Ama nas\u0131l ortaya \u00e7\u0131kaca\u011f\u0131 konusunda baz\u0131 fikirlerim var: G\u00fcr\u00fclt\u00fcl\u00fc de\u011fil, derin. \u0130ddial\u0131 ama hamasetten uzak. Kendi \u00e7a\u011f\u0131n\u0131n krizini anlayan ve ona bir istikamet \u00f6neren.<\/p>\n\n\n\n
B\u00fcy\u00fck anlat\u0131lar, \u00e7a\u011f\u0131n kaprislerine g\u00f6re kaybolmaz ancak onlar\u0131 kuracak kalemler teredd\u00fct ederse zay\u0131flar. Mesele b\u00fcy\u00fck anlat\u0131lar\u0131n \u00f6l\u00fcm\u00fc de\u011fil, bir hayat tasavvurunu savunma iradesinin sars\u0131lmas\u0131d\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"
T\u00fcrk \u015fiirinde ve roman\u0131nda \u201cb\u00fcy\u00fck anlat\u0131lar\u0131n\u201d zay\u0131flad\u0131\u011f\u0131 s\u00f6yleniyor. Sizce ger\u00e7ekten b\u00fcy\u00fck ideallerin, b\u00fcy\u00fck hik\u00e2yelerin \u00e7a\u011f\u0131 kapand\u0131 m\u0131, yoksa biz anlatma cesaretini mi kaybettik? B\u00fcy\u00fck anlat\u0131, insan\u0131 a\u015fan bir iddiaya yaslanan, ferd\u00ee tecr\u00fcbeyi daha geni\u015f bir daireye ba\u011flayan metindir. Bir d\u00fcnya tasavvuru sunar. Buradaki d\u00fcnya tasavvurunun hakikatli\u011finden bahsetmiyorum. Yazar\u0131n eserini kaleme al\u0131rken \u00fczerinde durdu\u011fu yeri kastediyorum. …<\/p>\n<\/div>","protected":false},"author":1,"featured_media":6956,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[101],"tags":[],"class_list":["post-6920","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sorduksoyledi"],"rttpg_featured_image_url":{"full":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-e1772943041862.png",500,400,false],"landscape":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-e1772943041862.png",500,400,false],"portraits":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-e1772943041862.png",500,400,false],"thumbnail":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-150x150.png",150,150,true],"medium":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-300x240.png",300,240,true],"large":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-1024x819.png",1024,819,true],"1536x1536":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-1536x1228.png",1536,1228,true],"2048x2048":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-e1772943041862.png",500,400,false],"codate_slider":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-1563x1000.png",1563,1000,true],"codate_item":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-550x350.png",550,350,true],"codate_item_vetical":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-500x800.png",500,800,true],"codate_item_masonry":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-550x440.png",550,440,true],"codate_blog":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-417x340.png",417,340,true],"codate_single":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-852x500.png",852,500,true],"codate_tabs":["https:\/\/yazinulkesi.com.tr\/wp-content\/uploads\/2026\/03\/IMG_2910-90x90.png",90,90,true]},"rttpg_author":{"display_name":"marascol.adm21@gmail.com","author_link":"https:\/\/yazinulkesi.com.tr\/author\/marascol-adm21gmail-com"},"rttpg_comment":0,"rttpg_category":"Sorduk S\u00f6yledi<\/a>","rttpg_excerpt":"T\u00fcrk \u015fiirinde ve roman\u0131nda \u201cb\u00fcy\u00fck anlat\u0131lar\u0131n\u201d zay\u0131flad\u0131\u011f\u0131 s\u00f6yleniyor. Sizce ger\u00e7ekten b\u00fcy\u00fck ideallerin, b\u00fcy\u00fck hik\u00e2yelerin \u00e7a\u011f\u0131 kapand\u0131 m\u0131, yoksa biz anlatma cesaretini mi kaybettik? B\u00fcy\u00fck anlat\u0131, insan\u0131 a\u015fan bir iddiaya yaslanan, ferd\u00ee tecr\u00fcbeyi daha geni\u015f bir daireye ba\u011flayan metindir. Bir d\u00fcnya tasavvuru sunar. Buradaki d\u00fcnya tasavvurunun hakikatli\u011finden bahsetmiyorum. Yazar\u0131n eserini kaleme al\u0131rken \u00fczerinde durdu\u011fu yeri kastediyorum.…","_links":{"self":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/6920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6920"}],"version-history":[{"count":3,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/6920\/revisions"}],"predecessor-version":[{"id":7573,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/6920\/revisions\/7573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=\/wp\/v2\/media\/6956"}],"wp:attachment":[{"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yazinulkesi.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}